His second study of troubled Ukrainian youth takes place a little further away from the hot zone - shellfire doesn’t reverberate through the sound design the way it did in “Dogs” - but the draining effects of the ongoing war on the territory’s embattled population are much in evidence. In Simon Lereng Wilmont‘s exquisitely intimate documentary “ A House Made of Splinters,” the camera waits with them, quietly observing a fragile limbo period from which life can go in any number of directions - including, for the least fortunate, a return to the hardship they left in the first place.ĭanish docmaker Lereng Wilmont knows his turf here: His excellent debut feature, 2017’s Oscar-shortlisted “The Distant Barking of Dogs,” adopted the perspective of an orphaned Ukrainian boy living near the frontline of the War in Donbass, his pre-teen naivete dented and toughened by the conflict of adults. ![]() Neglect and abandonment is what unites the young residents of the Lysychansk Center in Eastern Ukraine, where the children of unfit parents are sheltered for up to nine months while their next steps are decided. ![]() One boy recalls how his father stabbed his mother in the chest, only to be released on a pardon his peers, shrugging and sometimes laughing, reply with their own experiences of abuse. These aren’t supernatural chestnuts or spooky urban legends, however, but grim recent anecdotes. In the same way that children at slumber parties share ghost stories after dark, a group of young boys regale each other with tales of horror in their shared dorm, as a kaleidoscope lamp casts strange, shifting patterns over their faces for extra atmosphere.
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